Writing Choices

I realized something this morning, or at least noticed it happening again.

I was going over in my head some of the things I’m planning to do with the story contained in my first novel, and what I’m toying with having some of the characters do. One in particular is bothering me more than I’d realized at first, because it’s the one loosely based on moi.

Now, don’t get me wrong – our lives are not at all the same. I have a brother not sisters, I am the oldest not the youngest, and I am nearly a decade older than the character is in the book. I’m not with a Sarah, both my parents are still alive, I didn’t grow up in that house, or have Trick for a dog. I don’t think I’ve ever even carved a pumpkin for Halloween. Not on my own, at least.

So really, I guess that character is just more like how I think I’d react in the situation I wrote her into. Though I guess that could be said for everyone I write, in a way, because there’s part of me in all of my creations, to a certain extent. But that one in particular was written to give myself an alternate story to exist in, just as Sarah was written to give the person she was inspired by a different imaginary path to tread upon. Neither of them are more or less real to me than the others in their story, though. I just have I guess more of an emotional attachment to one in particular. I don’t want her to do anything I don’t think I would do.

But since the screenwriting conference, I’ve been considering doing just that. I’ve been struggling with a reason for it – a believeable reason, something that felt true – and haven’t come up with one as of yet. I did come up with a plausible yet similar act for which there would be justification (at least in her mind and kind of mine), so I might very well go with that. I’m not certain it’ll make the story stronger, but I’m not sure that it won’t, either, so I am betting on at least keeping the sense of truth to it all, instead. Because truth can do wonders for the power in a story, and for real life.

The crazy thing I realized or noticed again this morning was how much it was actually bothering me to try and come up for a reason for my character to do something against my own inner traits. I felt a little nauseous, and distracted, headachey and sadder than usual. When I say it was depressing to think about – to imagine possible scenes that would lead the character down the path to making that choice – I don’t mean it in a flippant or surface way. I mean that it affected me on every level – physically, emotionally, mentally, spiritually. I felt horrible just thinking about it in detail and trying to make it work.

My imagination can be pretty strong sometimes.

I felt worse about that than I have about many actual things that have happened.

So I’ve decided that – whether it works in theory or not – it won’t work for me. As in, I won’t be able to make it work, not for that character. I could easily have a different character in the story perform the act as it started out in my head, but that would have been more believable and far less powerful than having this particular character do this particular thing, but have the scenario leading up to it be a little different from what I had originally considered. Which means I get to add power to my story, while not making myself sick, or at least not in that way.

It’s amazing how much better I felt as soon as I realized the effect even thinking about it was having on me and made the decision to literally change my story. Even just a tiny alteration made all the difference.

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